Just because a movie is smart doesn't
mean it is cool. This is obvious. We can see example of this in many
of Woody Allen's films among plenty of others. However on the
flip-side of that, and what isn't so obvious is just because a movie
is cool, doesn't mean that it is smart. Usually, if a movie is cool,
on some level there is some cleverness going on. The Adjustment
Bureau is a film that is very
cool but also very dumb. It's based on a Phillip K. Dick story, so I
had high hopes for this movie, but once it started to explain itself,
I couldn't help but roll my eyes. It's a basic story of freewill
versus predetermination with a romance at its core which is all fine
and dandy, in fact Endless Sunshine of the Spotless Mind
did that same idea really well.
However, once the movie gets started talking about higher powers and
magic hats, it lost me.
Matt
Damon plays David Morris, a politician on a meteoric rise. He becomes
elected to the House of Representatives as the youngest congressman
ever. A few years later he runs for senate but loses after a picture
is released of him mooning some college buddies. Before his
concession speech he runs into Elise (Emily Blunt) and they hit it
off. She inspires him to be himself and he gives a widely praised
concession speech that makes him the frontrunner for the next
election still years away. Meanwhile we are introduced to the
Adjusters, a group of dapper men whose responsibility it is to make
sure everything goes according to plan. Whose plan? The film pretty
much says God, referring to Him only as “The Chairman.” The
Adjusters change little things here and there to make sure everything
works out as expected. One morning Morris is supposed to spill his
coffee, causing him to go back to his apartment, change his shirt,
miss the bus, and arrive at work 10 minutes late. But when a sleeping
adjuster misses the moment to spill his coffee, Morris arrives on
time and sees the Adjusters at work. They warn him that if he ever
tells anyone they exist they'll wipe his brain and he'll appear to
have gone crazy. They also tell him that he should never see Elise
again, that they aren't meant to be together. But David and Elise
love each other and they keep running into each other. The remainder
of the movie is spent as the two of them run through New York City
trying to avoid the Adjusters and stay together.
While
Damon and Blunt have undeniable chemistry on screen, the rest of this
movie is unenjoyable. It makes no profound remarks on the debate
between freewill and predetermination that you couldn't pick up in an
elementary philosophy book. The effects of running through doors as
portals to different parts of the city is cool, but saying that it's
the Adjuster's fedoras that allow them to do this is absurd. The
actors beside Damon and Blunt aren't given much to do and mostly
spend the movie occupying space. The ending to the movie is also very
dumb relying on a contrived deus ex machina to save the day when all
appears to be lost. If you want to watch a good movie based on a
Phillip K. Dick story, go watch Blade Runner again.
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