Akira Kurosawa is widely considered one
of the best film director's of all time. His attention to detail
transformed post-war Japan into the feudal Japan of 100 years
earlier. His classic samurai movies, Seven Samurai and
Yojimbo are some of
the best movies ever made and have been the inspiration for many
Hollywood films, most notably The Magnificent Seven.
Kurosawa was clearly being
channeled during the production of 13 Assassins.
Similar to the plot of Seven Samurai,
we find a group of Samurai joining together to fight on the side of
honor. 13 Assassins is
an amazingly accurate portrayal of feudal Japan and the life of the
samurai.
Set
in 1844, the end of Japan's medieval Edo period, 13
Assassins takes place during a
time when true samurai warriors were becoming increasingly rare. The
film ensnares the viewer immediately, opening with a man committing
harakiri in protest of his cruel Lord Naritsugu. Naritsugu is a
fantastic villain, so twisted in his ways, he transcends evil with
his level of barbaric madness. He shoots arrows at innocent
villagers, amputates his victims, and exercises his authority to rape
whoever he pleases. Inexplicably, the shogun plans to promote
Naritsugu and give him even more power despite his barbarism. To
right this wrong, Sir Doi hires the samurai Shimada to assassinate
Naritsugu. Shimada forms a team of a dozen other samurai. Some would
otherwise be considered too young or too old, but with talented
samurai being so rare, exceptions had to be made. Shimada carefully
plans to assassinate Lord Naritsugu while he is traveling to his
hometown from Edo. The assassin's are terribly outnumbered, expecting
to face 70 other samurai fighting for Naritsugu. The assassins buyout
a small town that they expect Naritsugu to travel through and lie in
wait, only to find Naritsugu's loyal head samurai Hanbei was
expecting them and marches into the village with 200 samurai. The
fight that ensues lasts roughly 45 minutes, almost the entire final
half of the film, and it's an awesome display of choreography and
ingenuity.
The
only fault I could find with this film is that, unlike Seven
Samurai, we don't get a lot of
character development for most of the samurai. There's Shimada, his
nephew, and old guy who's good with a spear, the young one, the
badass, and the guy who lives in the forest. That leaves 7 of the 13
assassins who are left pretty much undefined, serving only to give
the group numbers and show the group begin to weaken as each of them
fall during battle. In Seven Samurai,
each of the seven have a particular skill or specialty with a
specific weapon, and each of them exist as separate characters. The
half of the 13 assassins are essentially the same character.
Otherwise this film is fantastic. It's mostly an action film, but it
uses comedic relief, especially from the delightful Koyata, the man
who lives in the forest. The end fight scene, again, is fantastic.
Unlike most action films of today, the action is easy to follow.
Instead of one big chaotic mess, the fight is organized into well
choreographed vignettes. I was also pleased by the apparent lack of
any digital effects, everything appears to have been done in camera,
adding to the authenticity of the film. I highly recommend this film
to fans of action films, samurais and/or Kurosawa.
Rating: 8.5/10 - Saintly
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